C. Mikal Oness

Elizabeth Oness

Sutton Hoo Press

Decade Box

Decade BoxSUTTON HOO PRESS celebrated its first decade of literary fine press publishing by collecting one copy of each book and broadside still in print at the end of 2001. The large clamshell boxes (17"x25"x5") were designed by C. Mikal Oness and built by Judi Conant of Guildhall, VT. Each box contains six interchangeable trays of books and a portfolio of broadsides. In addition to Sutton Hoo Press publications, the box contains collateral issues related to the press, including a few choice books by students of the press and signed copies of books written by C. Mikal Oness and Elizabeth Oness. Only ten boxes exist, and the last ten copies of some issues are only available in the Decade Boxes. Please contact Sutton Hoo for additional details and information.

Issued May 2002. Ten were made; all have been sold.

Decade Box Label

Books

Herbert Scott. In the Palm of Space. 2001. (4.125" x 6.75") Sutton Hoo Select number three: Lutetia italic on a variety of papers, mainly Somerset, some handmade; in marbled covers.
Philip Levine. Praise. 2001. (6.75" x 11.75") Joanna types on Somerset paper; paste papers by Lucy David on the front cover.
Betsy Wheeler & Jenny Sawle. 3 Poems; 3 Images. 2001. (18" x 16") Kennerly types on Somerset or Mohawk letterpress paper. Images by Jenny Sawle.
Gary Young. The Body's Logic. 2000. (6.5" x 6.5") Bembo types on a variety of papers with a woodcut by Gary Young.
Marvin Bell. Sounds of the Resurrected Dead Man's Footsteps. 2000. (13.5" x 13.5") Lutetia types on somerset paper with an image by Lisa Scheonfielder.
Charles Wright. North American Bear. 1999. (7" x 10"). Printed from Bembo types on dampened Johannot or Somerset papers with woodcuts by Gary Young.
Pamela McClure. Blood Lily. 1999. (6.5" x 6.5") Printed from Bembo types on Johannot or Mohawk papers with images by P. Michael Hook of Kansas City. Bound in marbled wrappers at the press.
Decade Box BooksAnthony Butts. Evolution. 1998. Twenty folios. (5.75" x 10.3") Woodcuts by Thomas Huck. Printed from Cochin types on dampened Johannot.
Lynne McMahon. Not Solely Mourning. Summer 1997. (7.5" X 13/15") Printed from Dante types with calligraphic initials by Cheryl Jacobson. 100 copies on Mohawk Letterpress, Rives Light, and Jo Stealey's Flax and Cotton papers.
Christopher Buckley. Poem About the Soul: Menorca, Spain. December 1997. (8" X 10.3") Sutton Hoo Select number two: 100 copies of a single poem printed from Lutetia types on dampened Johannot paper.
John Albert Casey. Colorless Odorless Tasteless. 1993. (4" x 10.3") Printed on Johannot from Cochin types. The standard edition of 100 copies is bound with Fabriano Ingres, marbled by James Downey of Legacy Art and Bookworks.
Gerald Stern. Bread Without Sugar. 1991. (4" X 10.3") This long poem was Sutton Hoo Press' first book. Printed from Bembo types on Johannot. 30 were bound in Tim Barrett's handmade UICB PC4, signed and numbered (op). 38 newly bound in cloth.
J.N. Wu. Trans. Selections from the Yellow Emperor's Inner Classic. 1992.(5.75" x 10.3") for The Press in the Trees. Printed by Sutton Hoo Press from Dante types on Johannot; bound by Larry Yerkes. Dr.Fang's calligraphic characters from the original text are printed on verso pages.

Broadsides

James Armstrong. "The Office of Homeland Security." 2001. (7.5" x 14") Printed from Bulmer types on Johannot paper with a wood engraving by Ladislav Hanka.
James Braziel. "Braids." 2001. (12.75" x 17.5") Printed from Joanna types on Frankfurt ot somerset paper with three calligraphic images by Cheryl Jacobsen. Printed in four colors.
Donald Revell. "Timor Mortis Conturbat Me." 2001. (10" x 15") Printed from Joanna types on Niddeggen paper with a calligraphic image by Cheryl Jacobsen of Iowa City.
Lisa Rhoades. Decade Box Broadsides"The Week I Thought I Was." 2001. (12.75" x 17.5") Printed from Joanna types on Niddeggen paper with a calligraphic image by Cheryl Jacobsen of Iowa City.
George Scarbrough. Victory Song, Janurary 2001. (13" X 20") Printed for Shenandoah in an edition of 200 from Joanna on dampened Niddegan with an image by Cheryl Jacobsen.
Gary Young. "A Woman Leans...." (with Greenhouse Review Press). 2000. (11.5" x 13.75") Printed from Bembo on Somerset or T.H. Saunders handmade paper.
Allison Quam. "Behind the Douglas Fir." 2000. (10" x 20") Printed from Joanna types on Somerset paper with a lino-cut by Pamela McClure.
Michael Carlson. "Mood." 2000. (7.5" x 11.5") Printed from Joanna italic on Johannot.
Michael Carlson. "Bulkhead." 2000. (11.5" x 7.5") Printed from Joanna italic on Johannot.
R.T. Smith. "Illumination." 1999. (11.5" x 16.5") American Uncial type on Somerset and Johannot and hand-made papers. Calligraphic initial in two colors by Cheryl Jacobsen of Iowa City.
Maurya Simon. "The Rapture." 1998. (11" x 19") American Uncial type on Johannot paper. Woodcut by Thomas Huck. 226 copies.
Horace. "Ode I.v." 1993. (9.75" x 12.75") In Latin from American Uncial types on Johannot in two colors.

Collateral Issues

Michell Mitchel-Foust. Exile. Sangha Press 2000. (5 5/8" x 10 1/4").Printed from Bulmer types on Somerset with images by Carolyn Parker by Betsy Wheeler, a student of C. Mikal Oness at Sutton Hoo Press.
James Boyd White. Lats Hour's Light. Zumbro River Press. 2000. ( 6 3/4" x 10 1/4") Printed from Bembo and Caslon on somerset by Allison Quam, a student of C. Mikal Oness at Sutton Hoo Press.
C. Mikal Oness. Runian. Bergamot Press. 1999. ( 6 1/2" x 6 1/2") Printed from Lutetia types on Johannot by Bradley Nargon who translated his own sumi ink paintings to zinc plates to illustrate the book.
C. Mikal Oness. Husks. Brandenburg Press, Lompoc, CA. 1999. Offset chapbook of 17 early poems by the director of Sutton Hoo Press.
C. Mikal Oness. Water Becomes Bone. New Issues Press Poetry Series. Kalamazoo, MI. 2000. Trade book collection of poetry by the director of Sutton Hoo Press.
Elizabeth Oness. Articles of Faith. University of Iowa Press, Iowa City, IA. 2000. Winner of the Iowa short fiction prize, a collection of stories by press partner and director of marketing and development.
Elizabeth Oness. Sure Knowledge. Parallel Press, Madison, WI. 1999. Chapbook of 14 early poems by press partner and director of marketing and development.
The Watershed Anthology II. La Crosse, WI. 1999. An edition of poetry and images edited, designed, printed and bound by C. Mikal Oness and a variety of students at Sutton Hoo Press.

Titles no longer available individually:

Betsy Wheeler & Jenny Sawle. 3 Poems; 3 Images. 2001.
Lynne McMahon. Not Solely Mourning. Summer 1997.
Christopher Buckley. Poem About the Soul: Menorca, Spain. December 1997.
John Albert Casey. Colorless Odorless Tasteless. 1993.

Out-of-print titles not included:

Pamela McClure. Holding The Air. 1996. (4" X 10.3") 78 copies of these poems are on Mohawk Superfine Letterpress paper from Lutetia italic types with American Uncial titling.
Gary Young. Then It Happens: 12 Prose Poems. 1996. (6" X 6") 100 copies on decorated Mohawk Superfine Letterpress paper from Lutetia types. A product of a special summer seminar taught at the press in fine book design and printing.
In Memoriam Ralph Patterson. 1995. (3.75" X 3") 50 copies on Johannot paper from American uncial types in two colors.
Michelle Mitchell-Foust. Poets at Seven. 1994. (3" X 5") 30 copies on a variety of Somerset papers from Lutetia types with a lino?cut by Pamela McClure.
Christopher Buckley. Still Light: Twelve Poems on Paintings. 1994. (8" X 10.3") 100 copies on Johannot from Lutetia types.
Mark Jarman. "How My Mother, My Sister & I Still Travel down Balwearie Road." 1992. (9" x 18") Illustrated by Nadya Brown in an edition of 100 copies. Spectrum types on Rives Light. OP
Boyd White. "Big River," 1994. (10" x 16)
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